The Selected Poems of Wendell Berry Read online

  And now her long life, so strongly determined or so determinedly accepted by her, has at last submitted. It is declining gently, perhaps willingly, toward its end. It has been nearly a day and now most of a night since she uttered a word or opened her eyes. A younger person so suddenly moribund as she would have been dead long ago. But she seems only asleep, her aspect that of a dreamer enthralled. The two vertical creases between her brows suggest that she is raptly attentive to her dream.

  That she is dying, she herself knows, or knew, for early in the morning of the previous day, not long before she fell into her present sleep, her voice, to those who bent to listen, seeming to float above the absolute stillness of her body, and with the tone perhaps of a small exasperation, she said, “Well, if this is dying, I’ve seen living that was worse.”

  The night began cloudy, and the clouds have deepened over the valley and the old house with its one light. The first frosts have come, hushing the crickets and the katydids. The country seems to be waiting. At about dawn a season-changing rain will begin so quietly that at first nobody will notice, and it will fall without letup for two days.

  When midnight passes through the room, nobody knows, neither the old woman on the bed nor the young ones who watch beside it. The room would seem poor, so meager and worn are its furnishings, except that its high ceiling and fine proportions give it a dignity that in the circumstances is austere. Though the night is not quite chilly, the sternness of the room and the presence of death in it seemed to call for additional warmth, and the young wives have kindled a little fire. From time to time, one or another has risen to take from the stone hearth a stick of wood and lay it on the coals. From time to time, one or another has risen to smooth the bedclothes that need no smoothing, or to lay a hand upon the old woman’s forehead, or to touch lightly the pulse fluttering at her wrist.

  After midnight, stillness grows upon them all. The talk has stopped, the fire subsided to a glow, when Bernice Gibbs raises her hand and the others look at her. Bernice is the oldest of the four. The others have granted her an authority which, like their grandmother perhaps, she has accepted merely because she has it and the others don’t. She looks at each of them and looks away, listening.

  They listen, and they hear not a sound. They hear instead a silence that reaches into every room and into the expectant night beyond. They rise from their chairs, first Bernice, and then, hesitantly, the others. They tiptoe to the bed, two to a side, and lean, listening, at that edge which they and all their children too have now passed beyond. The silence grows palpable around them, a weight.

  Now, as Andy Catlett imagines his way into this memory that is his own only because he has imagined it, he is never quite prepared for what he knows to have happened next. Always it comes to him somewhat by surprise, as it came to those who remembered it from the actual room and the actual night.

  In silence that seems to them utterly conclusive, the young women lean above the body of the old woman, the mold in which their own flesh was cast, and they listen. And then, just when one of them might have been ready to say, “She’s gone,” the old woman releases with a sigh her held breath: “Hooo!”

  They startle backward from the bedside, each seeing in the wide-opened mouths and eyes of the others her own fright. Oma Knole, who is clumsy, strikes the lamp and it totters until Bernice catches and steadies it.

  They stand now and look at one another. The silence has changed. The dying woman’s utterance, brief as it was, spoke of a great weariness. It was the sigh of one who has been kept waiting. The sound hangs in the air as if visible, as if the lamp flame had flown upward from the wick. It stays, nothing moves, until some lattice of the air lets pass the single distant cry of an owl—“Hoo!”—as if in answer.

  Callie Knole turns away, bends forward, and emits what, so hard suppressed, might have been a sob, but it is a laugh.

  And then they all laugh, at themselves, at one another, and they cannot stop. Their sense of the impropriety of their laughter renews their laughter. Looking at each other, flushed and wet-eyed with laughter, makes them laugh. They laugh because they are young and they are alive, and life has revealed itself to them, as it often had and often would, by surprise.

  Margaret Feltner, when she had become an old woman, “Granny” in her turn, told Andy of this a long time ago. “Oh, it was awful!” she said, again laughing. “But the harder we tried to stop, the funnier it was.”

  And Andy, a hundred years later, can hear their laughter. He hears also the silence in which they laugh: the ancient silence filling the dark river valley on that night, uninterrupted in his imagination still by the noise of engines, the great quiet into which they all have gone.

  The laughter, which threatened to be endless, finally ends and is gathered into the darkness, into the past. The night resumes its solemn immensity, and again in the silence the old woman audibly breathes. But now her breaths come at longer intervals, until the definitive quiet settles upon her at last. They who have watched all night then fold her hands. Her mouth has fallen open, and Bernice thinks to bind it shut. They draw the counterpane over her face. Day whitens again over the old house and its clutch of old buildings. As they sit on in determined noiselessness, it comes to the young women that for some time they have been hearing the rain.

  A Consent (1908)

  For my friends at Monterey, Kentucky

  PTOLEMY PROUDFOOT was nothing if not a farmer. His work was farming, his study and passion were farming, his pleasures and his social life occurred in the intervals between farm jobs and in the jobs themselves. He was not an ambitious farmer—­he did not propose to own a large acreage or to become rich—­but merely a good and a gifted one. By the time he was twenty-five, he had managed, in spite of the hard times of the 1890s, to make a down payment on the little farm that he husbanded and improved all his life. It was a farm of ninety-eight acres, and Tol never longed even for the two more that would have made it a hundred.

  Of pleasures and social life, he had a plenty. The Proudfoots were a large, exuberant clan of large people, though by my time Tol was the last one of them in the Port William neighborhood, and Tol was childless. The Proudfoots were not, if they could help it, solitary workers. They swapped work among themselves and with their neighbors, and their workdays involved a mighty dinner at noontime, much talk and laughter, and much incidental sport.

  As an after-dinner amusement and aid to digestion, the Proudfoot big boys and young men would often outline a square or a circle on the ground, and get into it and wrestle. Everybody wrestled with everybody, for the object was to see who would be the last one in the ring. The manpower involved might better have been rated as horsepower, and great feats of strength were accomplished. Now and again great physical damage was accomplished, as when, for example, one Proudfoot would endeavor to throw another Proudfoot out of the ring through the trunk of a large tree. Sometimes, after failing to make headway through a tree trunk or barn door, a Proudfoot would lie very still on the ground for several minutes before he could get up. Sometimes, one Proudfoot or another would be unable to go back to work in the afternoon. These contests would be accompanied by much grunting, and by more laughter, as the Proudfoots were hard to anger. For a Proudfoot boy to become big enough and brave enough finally to set foot in that ring was a rite of passage. For a Proudfoot to stand alone in that ring—as Tol did finally, and then often did—­was to know a kind of triumph and a kind of glory. Tol was big even for a Proudfoot, and the others could seldom take him off his feet. He tumbled them out, ass over elbows, one by one, in a manner more workmanly than violent, laughing all the time.

  Tol was overabundant in both size and strength. And perhaps because animate creatures tended to get out of his way, he paid not much attention to himself. He damaged his clothes just by being in them, as though surprising them by an assortment of stresses and strains for which they had not been adequately prepared. The people around Port William respected Tol as a farmer; they loved to tell a
nd retell and hear and hear again the tales of his great strength; they were amused by the looks of him, by his good humor, and by his outsized fumblings and foibles. But never, for a long time, would any of them have suspected that his great bulk might embody tender feelings.

  But Tol did embody tender feelings, and very powerful tender feelings they were. For Tol, through many years, had maintained somewhere about the center of himself a most noble and humble and never-mentioned admiration for Miss Minnie Quinch. Miss Minnie was as small and quick as Tol was big and lumbering. Like him, she was a Port Williamite. She had taught for many years at Goforth School, grades one through eight, which served the neighborhood of Katy’s Branch and Cotman Ridge in which Tol’s farm lay. When she was hardly more than a girl, Miss Minnie had gone away to a teacher’s college and prepared herself to teach by learning many cunning methods that she never afterward used. For Miss Minnie loved children and she loved books, and she taught merely by introducing the one to the other. When she had trouble with one of the rougher big boys, she went straight to that boy’s father and required that measures be taken. And measures usually were taken, so surprisingly direct and demanding was that lady’s gaze.

  For as many years as Miss Minnie had taught at Goforth School, Tol had admired her from a distance, and without ever looking directly at her when she might have been about to look directly at him. He thought she was the finest, prettiest, nicest little woman he had ever seen. He praised her to himself by saying, “She’s just a pocket-size pretty little thing.” But he was sure that she would never want to be around a big, rough, unschooled fellow like himself.

  Miss Minnie did, from time to time, look directly at Tol, but not ever when he might have been about to look directly at her. More than once she thought rather wistfully that so large and strong a man as Tol ought to be some woman’s knight and protector. She was, in fact, somewhat concerned about him, for he was thirty-six, well past the age when men usually got married. That she herself was thirty-four and unmarried was something she also thought from time to time, but always in a different thought. She kept her concern about Tol limited very strictly to concern, for she was conscious of being a small person unable even to hope to arrest the gaze of so splendid a man.

  For years, because of mutual avoidance of each other’s direct gaze, their paths did not cross. Although they met and passed, they did not do so in a way that required more than a polite nod, which they both accomplished with a seriousness amounting almost to solemnity. And then one morning in Port William, Tol came out of Beater Chatham’s store directly face-to-face with Miss Minnie who was coming in, and who smiled at him before she could think and said, “Well, good morning, Mr. Proudfoot!”

  Tol’s mouth opened, but nothing came out of it. Nothing at all. This was unusual, for Tol, when he felt like it, was a talkative man. He kept walking because he was already walking, but for several yards he got along without any assistance from his faculties. Sight and sense did not return to him until he had walked with some force into the tailgate of his wagon.

  All the rest of that day he went about his work in a somewhat visionary state, saying to himself, and to the surprise of his horses and his dog, “Good morning, mam!” and “How do you do, Miss Minnie?” Once he even brought himself to say, bowing slightly and removing his hat, “And a good morning to you, little lady.”

  And soon, as if they had at last come into each other’s orbit, they met face-to-face again. It was a fine fall afternoon, and Tol happened to be driving down past Goforth School, slowing his team, of course, so as not to disturb the concentration of the scholars inside. Miss Minnie was standing by the pump in front of the schoolhouse, her figure making a neat blue silhouette against the dingy weatherboarding.

  Again she smiled at him. She said, “How do you do, Mr. Proudfoot?”

  And Tol startled at the sound of her voice as if he had not seen her there at all. He could not remember one of the pleasantries he had invented to say to her. He looked intently into the sky ahead of him and said quickly as if he had received a threat, “Why, howdy!”

  The conversation thus established was a poor thing, Tol knew, so far as his own participation in it went, but it was something to go on. It gave him hope. And now I want to tell you how this courtship, conducted for so long in secret in Tol’s mind alone, became public. This is the story of Miss Minnie’s first consent, the beginning of their story together, which is one of the dear possessions of the history of Port William.

  That fall, Miss Minnie and her students had worked hard in preparation for the annual Harvest Festival at the school. The Harvest Festival was Miss Minnie’s occasion; she had thought it up herself. It might have been a Halloween party, except that Halloween in that vicinity got enough out of hand as it was without some public function to bring all the boys together in one place. And so she had thought of the Harvest Festival, which always took place two weeks before Halloween. It was a popular social event, consisting of much visiting, a display of the students’ work, recitations by the students, an auction of pies and cakes to raise money for books and supplies, and abundant refreshments provided by the mothers of the students.

  Ptolemy Proudfoot had never been to the Harvest Festival. He had no children, he told himself, and so did not belong there. But in fact he had always longed to go, had always been afraid to intrude himself without excuse into Miss Minnie’s world, and had always, as a result, spent an unhappy night at home. But this year, now that he and Miss Minnie were in a manner of becoming friends, he determined that he would go.

  Tol had got along as bachelors must. He had even become a fair cook. From the outside, his house was one of the prettiest and best kept in the neighborhood. It was a small house with steep, gingerbreaded gables, and it stood under two white oaks in the bend of the road, just where the road branched off to go down into the Katy’s Branch valley where Goforth and its school were. Tol kept the house painted and the yard neat, and he liked to turn in off the road and say to himself, “Well, now, I wonder who lives in such a nice place!” But what he had thought up to do to the inside of the house was not a great deal above what he had thought up to do to the inside of his barn. Like the barn, the house was clean and orderly, but when he went into it, it did not seem to be expecting him, as it did after Miss Minnie came there to live.

  On the day of the festival, Tol cut and shocked corn all day, but he thought all day of the festival, too, and he quit early. He did his chores, fixed his supper and ate it, and then, just as he had planned in great detail to do, he began to get ready. He brought his Sunday clothes to the kitchen and laid them out on a chair. He hunted up his Sunday shoes and polished them. He set a large washtub on the floor in front of the stove, dipped hot water into it from the water well at the end of the stove, cooled the hot water with water from the water bucket on the shelf by the door, put soap and washrag and towel on the floor beside the tub. And then he undressed and sat in the tub with his feet outside it on the floor, and scrubbed himself thoroughly from top to toe. He dried himself and put on his pants. Gazing into the mirror over the little wash table by the back door, he shaved so carefully that he cut himself in several places. He put on his shirt, and after several tries buttoned the collar. He put on his tie, tying a knot in it that would have broken the neck of a lesser man and that left even him so nearly strangled that he supposed he must look extremely handsome. He wet his hair and combed it so that when it dried it stuck up stiffly in the air as Proudfoot hair was inclined to do. He put on his suspenders, his gleaming shoes, and his Sunday hat. And then he sat in a chair and sweated and rubbed his hands together until it was time to hitch old Ike to the buggy and drive down to the school.

  Before he got to the schoolhouse, he could hear voices, an uninterrupted babble like the sound of Katy’s Branch in the spring, and then he could see a glow. When he got to the bottom of the hill and saw, among the trunks of the big walnuts and water maples and sycamores that stood there, the schoolhouse windows gleaming and t
he school yard strung with paper lanterns, lighting the bare-worn ground and throwing the shadows of the trees out in all directions like the spokes of a wheel, he said, “Whoa, Ike.” The light around the old schoolhouse and within it seemed to him a radiance that emanated from the person of Miss Minnie herself. And Tol’s big heart quaked within him. He had to sit there in the road behind his stopped horse and think a good while before he could decide not to go on by, pretending to have an errand elsewhere.

  Now that he had stopped, it became quiet where he was; he could hear the crickets singing, and he was aware of Willow Hole on Katy’s Branch, a little beyond the school, carrying on its accustomed business in the dark. As he sat and thought—thought hard about nothing that he could fix in a thought—Tol slid his fingers up beneath his hat from time to time and scratched, and then jerked the hat down firmly onto his head again, and each time he did this he rotated the front of his hat a little further toward his right ear. Presently the sound of another buggy coming down the hill behind him recalled him to himself; he clucked to Ike and drove on, and found a hitching place among the other buggies and the wagons and the saddled horses at the edge of the school yard.

  There was a perimeter of voices out on the very edge of the light, where the boys had started a game of tag, unwilling to come nearer the schoolhouse than they had to. Near the building the men were gathered in groups, smoking or chewing, talking, as they always talked, of crops, livestock, weather, work, prices, hunting, and fishing, in that year and the years before.

  Tol, usually a sociable man, had nothing to say. He did not dare to say anything. He went past the men, merely nodding in response to their greetings, and since he did not want to talk and so could not stop, and was headed in that direction, he went on into the schoolhouse, and immediately he realized his mistake. For there were only women and girls in there, and not one man, not a single one. Beyond the boys’ voices out on the edge of the dark and the men’s voices in the school yard was this bright, warm nucleus of women’s voices, and of women themselves and of women’s eyes turned to see who had burst through the door with so much force.